In my MA course, for a module titled the Socio-Politics of Dance, I decided to write about Mevlevi whirling. I had seen the government group from Konya, Turkey perform in North Carolina two years earlier. Upon finding out that the practice had been made illegal in Turkey, only to be appropriated by the government for tourist and folkloric purposes 30 years later, I was intrigued. Dance practices do not die out. They go underground, they migrate, they re-emerge.
As it turned out, my tutor for the module had links to The Study Society here in London. The Study Society is one of the places Mevlevi turning migrated to, mixing with the esoteric philosophies and practices already in place at the society. In no time at all I was witnessing the full ceremony, enacted by British persons, in the heart of London. I began attending practices and ceremonies regularly, and wrote my MA dissertation on the whirling practice as it is carried out in London. As part of my research for the MA writing I sought out Mevlevi across the world. I found them in America, as part of the Mevlevi Order of America, and in Australia, Mexico, and New York as sister sites for The Study Society. I also made links with lovers of the whirling in Turkey, and arranged a visit to the birthplace of the tradition.
once upon a time... |
Well! It turns out that her husband is a member of the Celebi family, the family of direct descendants of Mevlana Jalaluddin Rumi. That very night, in their home, I received my initiation. I had no idea this was coming for me! We had hours of esoteric conversation, and after awhile they asked me, would I really like to be Mevlevi? Did I really know what this meant? I replied that I could not be entirely sure what it meant, but that I trusted the universal coincidence that I was there in the home with them, and that I was ready.
We performed a small ceremony and I stayed with them for three days. They showed me around the city and we had a great time! Then I went to Konya. Several colleagues from Izmir came up to meet me there, and further loveliness unfolded. First, I was asked to speak on Turkish National Television about the turning, and then we witnessed the ceremony. Later we hung out with the semazens and musicians, smoking hookahs and eating pastries and drinking chai late into the night. Over the next few days I met with and interviewed several of the Mevlevi elders in Konya. This was an incredible exception and we were all amazed that it happened! The founder of the government ensemble gave me his blessing and said, "Hannah do not worry about a thing. You have a magnetic heart that will attract all that you desire to yourself. We are brothers and sisters, I would pray at the tomb of Mary with you." We visited the tomb of Mevlana, I bought my first pair of turning shoes, and made my night bus back to Istanbul with only minutes to spare. We hugged and cried and there was love all around.
symbols of our journey |
Being a dancer, I understand the need for repetition and discipline. I appreciate an ever elusive practice which challenges one to engage at the deepest level on every instance. Five months later, through tears of annihilation and surrender, glorious breakthroughs of joy, and deepening bonds within The Society, I turned/whirled in my first ceremony.
first sema |
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reading this brings such sweet memories to mind. thank you for sharing this aspect of yourself with me, kitty cat neck curls and purrrrsssss... xx Cherish
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